Narcisa Hirsch (née Heuser, born 1928) is an Argentine experimental filmmaker of German birth. Her work centered on themes of the body, love, sex, death, movement, and the female gaze. Despite this focus on women, she has resisted being labeled as a feminist. She began as a painter, and but her later and better known work centers on performance and film, though she has also written several books. She cites Salvador Dalí and Luis Buñuel as influences to her experimental film work, as well as the Bauhaus artists of Germany. During her time as an experimental filmmaker in Argentina, she frequented the Di Tella Institute and the Goethe Institute, a place where many of her works premiered. Recenlty, her work has been honored through several retrospectives at international film festivals, though it was relatively unknown outside of exclusive circles when it first premiered. Description above from the Wikipedia article Narcisa Hirsch, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Narcisa
El Mito de Narciso
Herbaria
El refugio de Narcisa Heuser
time/ OUT OF JOINT
Butoh
Yo veo conejos
Reflejo Narcisa
Descendencia
la velocidad del tiempo
Orpheus and Eurydice
Aigokeros
Warnes
Rafael agosto 1984
Pocos son los que conocen el secreto del amor
Mundial 78
Diarios Patagónicos 2
Pichón en el Obelisco
Tambores en la plaza
Edgardo
Songs From Naples
Mujeres
The Bengali Night
Para Virginia
Come Out
Rumi
Kosmos
Rafael, 1975
Andrea 1973
Neapolitan Songs
Marabunta
Mundial
Portraits
Apples
Pink Freud
Kosmos
Retrato de una artista como ser humano
Myst
Ana, ¿Dónde Estás?
Ana, ¿Dónde Estás?
Ana, ¿Dónde Estás?
Muñecos (Have a baby)
Muñecos (Have a baby)
Aída